After supporting
Accept on the Scandinavian leg of their "Humanoid" tour in
November 2024, Sister Sin, the Swedish heavy metallers around
frontwoman Liv Jagrell, announced a club tour for spring 2025 with
four dates across their home country. They want to "raze Borås,
Trollhättan, Gävle and Linköping to the ground" and, above
all, "make rock and metal great again". That the latter is
sorely needed will once again become evident tonight at "Musikhuset"
in Gävle.
The conditions for a great rock and
metal experience couldn't be more perfect tonight: It's a Saturday,
the venue in the former Seamen's Church is impressive not only from
the outside, but also from the inside, and on top of that,
"Musikhuset" is located right next to Gävle's central
railway station, so even people from outside Gävle, like us, can
easily reach the venue. Not to mention that Sister Sin also bring
along guitar-heavy reinforcement: Searching For Serenity and S.O.R.M.
And yet, it's pretty empty when Searching For Serenity, the first act
on stage tonight, start their set with the stand-alone single "3:03".

Vocalist Fredrik Vintlöw, guitarist
Christian Hagel, bassist Tommy Mellgren and drummer Christian Morales
describe themselves as "four guys from Sweden playing rock with
a modern punk vibe", and it's safe to say that the sound of
Searching For Serenity is more mainstream compared to the two
following tougher bands, especially on their current third studio
album "Yesterdays". It will be interesting to see how their
respective careers develop in the future. Tonight, the quartet from
Vänersborg, which has been "playing together since 2015",
wins the attendees over with an entertaining show and songs from
their three studio albums "Demise" ("Bumpy Ride (Here
We Go)", "Shadow In The Dark"), "Human Disgrace"
("Stuck In The Mud", "We Are") and "Yesterdays"
("Always Late", "Directions", "Yesterdays"),
as well as the stand-alone singles "Lost" and "Rose"
and the yet-to-be-released track "BlackRock".

Just in time for the second act of
the evening, S.O.R.M, a few more attendees arrive at the venue, some
of them specifically for S.O.R.M. To the sounds of Ronja
Rövardotter's "Rövarsången" and amid loud cheers from
the crowd, Micke Holm (vocals and guitar), Patrik Sandström (lead
guitar), Johan Östman (bass) and Robin Wernebratt (drums) enter the
stage and start their set with "Hellride", which is also
the opener of their 2023 debut album "Under My Skin".

S.O.R.M were founded in the small
Swedish town of Lidköping (Not to be confused with Linköping, one
of Sweden's biggest cities) in 2017 and have
since released two versions of their EP "Hellraiser" as
well as the aforementioned debut album. Accordingly, the setlist is
dominated by songs from "Hellraiser"
("Hellraiser", "Gypsy Queen") and "Under My
Skin" ("Shot Gun Johnny", "Crazy", "Too
Hot For Love", "Demon Child",
"Under My Skin", "I Die For My Rock N Roll").
It's amusing how heavily influenced S.O.R.M are by the
American heavy metal legends W.A.S.P., starting with the stylisation
of the band name and the fact that neither W.A.S.P. nor S.O.R.M want
to reveal what their respective band names stand for. At
some point in between their own songs, S.O.R.M even encourage the
audience to sing the chorus of W.A.S.P.'s "I Wanna
Be Somebody". Then, the intro to
W.A.S.P.'s "Wild Child" is played before S.O.R.M actually
perform a W.A.S.P. cover, namely "Sleeping
(In The Fire)". Towards the end of the set, the
current single "Scream" is played, a first taste of the
quartet's upcoming second studio album.

Overall, S.O.R.M deliver a solid
hard rock / heavy metal show, interacting a lot with the audience and
effortlessly getting the crowd to clap and sing along. Live, S.O.R.M
also sound heavier than on record, which, in my humble opinion, is
almost always a good thing. And if you like W.A.S.P., you can't go
wrong with attending a S.O.R.M show. If you happen to be in Gävle on
5th April 2025, you can look forward to seeing S.O.R.M
frontman Micke Holm again soon when he returns to "Musikhuset"
for a solo performance, alongside Crucified Barbara frontwoman Mia
"Coldheart" Karlsson.

Contrary to expectations, the venue
doesn't really fill up either as the stage time of tonight's
headliner, Sister Sin, approaches, so it can now be concluded that a)
the audience is almost exclusively male and b) it consists mostly of
middle-aged people. The latter is something I have already noticed in
the past few years, even before the Covid-19 pandemic, at various
rock, metal and goth events. One wonders where the next generation of
the subcultural scenes is, especially in front of the stage. And
where is the scene as a whole tonight? At the concert of the Iron
Maiden cover band Made In Iron at "Järnvägskrogen", just
90 metres away from "Musikhuset"? The city is not to blame,
because in Gävle, scene-relevant events are regularly organised, so
there must also be an audience for them in Gävle. Be that as it may,
when Liv Jagrell (vocals), Jimmy Hiltula (guitar), Sebastian Svedlund
(rhythm guitar), Andreas Strandh (bass) and Dave Sundberg (drums)
enter the stage and start their set with "Sound Of The
Underground" from their third studio album "True Sound Of
The Underground", all those thoughts vanish... Wow, what energy!

It's
not the first time I see Liv Jagrell live on stage, but my first
Sister Sin show - in Finland's capital Helsinki in December 2010 -
was just over fourteen years ago, and over time, the memories of it
seem to have faded. Not that long ago, in December 2023, I saw Liv
Jagrell perform with Liv Sin in Sweden's capital Stockholm. Already
back then, she jumped and headbanged from the get-go like there was
no tomorrow, yet tonight's show feels somehow different. More
straightforward and rock'n'roll, especially when songs like the
U.D.O. cover "24/7" are played, with Liv Jagrell and the
string instrumentalists all headbanging in unison. It's easily the
most impressive performance I've seen from her so far.

The setlist includes songs from Sister Sin's
latest four studio albums "Switchblade Serenades" ("Death
Will Greet Us"), "True Sound Of The Underground"
("Outrage", "Heading For Hell", "Better Than
Them"), "Now And Forever" ("Hearts Of Cold",
"Fight Song") and "Black Lotus" ("Chaos
Royale", "Desert Queen", "Sail North"), as
well as the Cinderella cover "Somebody Save Me". At some point, the
small crowd is rocking so hard that they manage to push apart the two
barriers in front of the stage. Yes, sometimes it's not about how
many people are rocking in front of the stage, but how hard. Jimmy
Hiltula himself once said that while rock might only exist "on a
smaller scale" in the future, "we still want to be right
there playing".

To make one thing clear: Tonight's
emptiness is a rare sight for Sister Sin. Just last night, the band,
which was founded in Gothenburg nearly a quarter of a century ago,
played a completely sold-out show in Trollhättan, and the kick-off
show of this club tour in Borås was packed as well, with "people
flying in from Switzerland, Germany etc.". Perhaps people on the
Swedish east coast simply haven't realised that Sister Sin, who had
suddenly disbanded in November 2015, reunited in December 2019? The
timing of the reunion was, of course, incredibly unfortunate, with
the unexpected years-long Covid-19 pandemic just around the corner.
Accordingly, Sister Sin recently stated that "2024 was a year of
resurrection" and "2025 will be the year of retribution".
You'd better take the quintet at their word, because tonight, they
kept all their promises. They came, they saw, and they delivered.
Author: Stefanie Nysand